20 June 2013

On June 4, an Egyptian court sentenced 43 employees of pro-democracy NGOs, including 16 Americans, to between one and five years in prison. This incredibly politicized case, combined with a...


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June 12 marks the one-week anniversary of an ongoing sit-in by prominent Egyptian writers, filmmakers, performers and intellectuals seeking the removal of Minister of Culture Alaa Abdel-Aziz. They broke into...


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Lanky models in high heels saunter down the catwalk, one wearing a huge pink rose headpiece while another's face is draped in a taupe silk headscarf adorned with dangling gold...


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Zaher Shehab clearly remembers how he heard the news. The Bath University student had been meeting his PhD supervisor when he logged on to Facebook. To his horror, the site...


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In Al-Kasaba Theater in Ramallah, a group of actors were getting ready to go on stage. In the yellow light of lightbulbs framing the mirrors, actresses Amira Habash, Maisa Abd...


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Do you remember the very first time you went to the movies? Do you remember that feeling of excitement mixed with awe, when you would hand the ticket to the...


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Muslim Fashion On Display In Indonesia As Models Show Islamic Style

Britain's Syrian Community: How War Is Dividing Families

Palestinian Cultural Scene Thrives Amid Hardships

Minister of Culture Wages Campaign Against Egyptian Artists

Today's Exclusive Columns

A New President, Now What?

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Do not congratulate me if you think I am happy that a “reformist” (read with extra sarcastic emphasis) has won the Iranian presidential election in Iran. I find nothing more saddening than the message...

The Roots of Muslim Rage? Comfy Counter-Narratives Don’t Address Them!

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When the Muslim community in America reaches a point of finally talking about the issues of radicalism that face Muslim youth, that’s a sure sign that we’ve progressed. Surely, intolerance and hate ar...

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‘Indecent’ ballet? Egyptian Islamist lawmaker angers dancers

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TODAY'S NEWS

Revolution Redux, Tunis: Martyr’s Day and the People’s Public Space

I ran to the window, and on a side street adjacent to downtown’s Avenue Bourguiba, I caught sight of a group of flag-clad Tunisian youths, running as police gave chase, yelling and firing off tear gas canisters in their wake. Avenue Bourguiba is the heart of downtown Tunis—the broad pedestrian boulevard spans from the Trans-African highway to the old city. Landmarks dot the street, ranging from the National Theater to the Ministry of the Interior. Most importantly, this symbolic vein of the city provided the pivotal backdrop in scenes of Tunisian jubilation, splashed across international media, at the rapid toppling of former President Ben Ali in a matter of days. “Oh, shit!” I remembered. Martyr’s Day!”

Without thinking twice, I grabbed my camera and raced down into the street. Fresh off the plane from Algeria, I was hesitant about taking photographs. I can always claim the “tourist” card, I thought, and pushed my way into the crowd. Turns out, I didn’t need the excuse. Control here operates very differently than Algeria and Morocco: rather than restricted access to visual information, symbolic spaces provide the un-crossable line.

By the time I reached the street, the main artery of downtown Tunis was already occupied by police vans, riot-gear clad cops, and—worryingly—men wearing ski-masks, brandishing clubs, batons and sticks. Onlookers watched nervously, huddled against walls and in doorways on either side of the avenue; shopkeepers shuttered windows and café owners stacked chairs and tables into hurried barricades. Protestors periodically advanced from side streets and met a police response of batons, screams, threats and (USA-supplied) tear-gas canisters. The razor-wire fence I noticed the day I arrived here, blocking the Interior Ministry, suddenly made sense.

In front of the National Theater and Place de la Liberation, tear-gas fumes looked like clouds at first glance. A man next to me started choking, grabbed my arm and led me into a hotel café—“I don’t care what News Agency you work for; they’re gassing everyone,” he told me. “And they just arrested that long-haird gawr (white man) in the Argentina jersey. Stay here for a while.” Inside, I asked him for his assessment of the clashes, and his response bursted with loaded language: “Celebrations are forbidden on Avenue Bourguiba. Why? Good question, isn’t it? You see that street? This is the symbolic heart of our nation; that is the people’s street!”

Half an hour later, I was back on the street, headed to my favorite sandwich shop, when a horde of baton-wielding police thundered into the alley. The proprietor yanked me inside and slammed down the aluminum gate as a tear-gas canister exploded nearby. The small space of the restaurant was crowded with around forty Tunisians, opening the windows and shouting their opinions on the scenes outside. A young woman next to me offered me her scarf, and we had a brief conversation between coughs—“I swear to God,” she cried. “WHY? This is some Ben Ali shit, sister! On Martyr’s Day! Avenue Bourguiba is the heart of this nation—it is our street!”

The streets belong to the people, and in particular—Avenue Bourguiba, the heart of the nation and the heart of a young revolution of which Tunisians are rightfully proud. Police crackdowns on a space that revolutionaries claimed for all struck many as a slap in the face—and on Martyr’s Day, no less. The memory of the 2011 Revolution is alive and well; echoed in everyday conversations and memorialized in preserved (and renewed graffiti) all over downtown Tunis. Ben Ali is gone, but the real problems of poverty and unemployment remain. And yet, the galvanizing spark of clashes that day were manifested in the highly symbolic terrain of people power.

By evening, all was calm in downtown. But if public space—so charged with civic pride and revolutionary memory—remains circumscribed by the State, it would be hard to imagine Tunisian youth accepting any semblance of the barriers they bravely toppled barely a year ago.

By Amanda Rogers, Aslan Media Contributing Writer
*Photo Credit: Courtesy of the author

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