Today's Exclusive Columns
How The Internet Reshapes Elections
If you want a preview of what this election year will look like, look at the online protests over the shooting of Trevor Martin which generated over one million signature...
Updates and Underwear (Bombs)
My computer is on the fritz—by which I mean, it's dying. It's six-plus years old now, so it doesn't exactly come as a surprise, but I wanted to offer some sort of explana...
Nothing is Holy?
I was raised--let’s say--in an unconventional Iranian family. Blasphemy was never a problem in our house. Even though my father fearlessly had no respect for any kind of ...
Isn't a Powerless But Vocal President Better Than None At All?
Reformists in Iran have been crippled by the severe vetting process of the parliamentary election. Nearly three years after the June 2009 vote denounced by the Green Move...
Mideast Arts & Culture
Revolution Redux, Tunis: Martyr’s Day and the People’s Public Space
I was commiserating one morning earlier this month with a friend about the pain of apartment hunting. I just moved to Tunisia from Algeria, and sometimes—I like to indulge myself...
Image, Space and Power: Photography and Paradox in Algeria
This photograph nearly got me arrested. Yeah, yeah—I’m being hyperbolic here, but I’m also not joking. What is this image, exactly? It is a few pieces of bread wrapped in...
Out of the Frying Pan, Into the Fire: A Review of Trishna
There is a line in Thomas Hardy’s Tess of the d'Urbervilles, when a character remarks that Tess has jumped “out of the frying pan and into the fire!” It is...
Women and Beauty Celebrated at Egyptian Arts Festival
‘When you look at the form of a woman, you see beauty and love.’ So said the Sheikh of al-Azhar University, Mohamed Gamia, in an address that challenged stereotypes at the...
“Art is Politics”: A Conversation with Iraqi Artist Wafaa Bilal, Part II
In the second half of Wafaa Bilal’s exclusive two-part interview with Aslan Media contributing writer Amanda Rogers, he offers his thoughts on representing the United States in the 2011 Jakarta...
“Art is Politics”: A Conversation with Iraqi Artist Wafaa Bilal, Part I
Comfort zones are equally as damaging as they are protective. Harmful because they isolate, desensitize, and in the case of many Americans living a snug distance away from major conflict...
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